LITHUANIAN QUARTERLY JOURNAL OF ARTS AND SCIENCES
Copyright © 2011 LITUANUS Foundation, Inc.
Volume 57, No.4 - Winter 2011
Editor of this issue: Patrick Chura
Poems by Laurynas Katkus
Translated by Kerry Shawn Keys
LAURYNAS KATKUS is a Lithuanian poet, essayist, and translator from the German. His most recent book is Bootleg Copy, poems, published in summer 2011 by Virtual Artists Collective, Chicago.
Žvėrynas in Winter
Darkness strikes suddenly
like lightning strikes the chosen ones,
and whispers: don’t fight; give up; calm down...
Shadows sneak into the house across the street,
melting into the bluish blaze of the TV screens.
A blind cyclone tosses between
the roof and the dream.
The sun’s fingers reach out stronger and stronger,
draw open the curtains, and the newborn,
fleecy snow astonishes my eyes.
This sparkle, tearing the body apart,
speechless, and me… for a moment.
Aunt Janė came out of the photo of a
She would never err when counting.
Aunt Janė learned German by heart.
She would often type something on the
Aunt Janė escaped the soldiers by running over the roofs.
Her lonely husband ran through the woods in a burning shirt.
They found him by the Bible she had given him.
Aunt Janė came back, lived on.
Nothing else to do.
Aunt Janė liked riddles, and inscriptions on tombstones,
according to her cousin.
When perfumed oils were running down
a shiny ruble fell from her hand into my pocket.
Later, relatives stole Aunt Janė’s memory.
In revenge, she began to rave, and disappeared.
Now there she lies, returned to her
We don’t know what to do, and are crying.
It smells of gas and yeast.
Diagonally across the pavement,
Vans: diagonal letters,
red teats on the underbelly.
one more generation of the newborn,
Black, blind bricks
don’t give away
when the blockade will be over—
abruptly, like an odor.
It’s half past five. In the
in the outskirts, it’s drizzling,
and along the avenue, caraway seeds
Half past five. Half-gods,
we’re deep in the bread,
not yet risen, as yet untouched
The piano is silent, drop-leaf
covering the keys.
Somebody closed the textbooks with their questions.
Mother, finding me in my hide-out under the porch,
Doesn’t scold, and when asked, makes a cup of cocoa.
Rectangular windows twinkle with
To stare at them, and stare, and forget
The defeat of the Dakotas of the Great Plains,
And the neighbor dead-drunk in his drinking-glass prison.
One windowlight melts slowly into the
Like a sweet bonbon disappearing in the mouth.
Almost like sitting and waiting for the war to begin
On the screen in the movie house.
Attached so much to what is cramped,
What weighs one down, and conceals,
Only when compelled, did you learn how
To defend, to side step, to fall on the ground.
In your hideout behind the hedged-in
You watch the neighbor’s chandelier burst into darkness,
And mutter over and over with lips nearly numb:
For sure, for sure, I won’t be a guardsman.
from the porch the voice of mother: time to come home!
Tomorrow to awaken to the rumble of tanks and brass bands.
So it goes, such are the holidays, in our ageing,
City of Mercury
The road happened to be boggy.
Cars drove by, splashing mud and light.
Below us loomed the blue city of mercury.
Tin and water rusted in its twilight.
We sat down to rest, shook dust
from our sandals, ate bacon and bread.
Me perched on a roadside post.
Tomas on his suitcase.
Marija—reclining sideways (it is not yet begun, Lord—
she’s curled like a snail).
From the squares and taverns
the rumble of demons.
Refreshed we rose, spread the banner,
and singing our first hymns, started to descend
into the valley.